中国岩画中的原始狩猎文化考释  

Study of Primitive Hunting Culture in Chinese Rock Paintings

作　　者：童永生[1] 

机构地区：[1]江南大学设计学院

出　　处：《创意与设计》2018年第6期54-58,共5页Creation and Design

基　　金：2015年度教育部人文社科研究规划项目"中国岩画的史料整理与文化阐释研究"(项目编号:15YJAZH065)的研究成果

摘　　要：岩画作为流传至今的人类最早最辉煌的艺术遗产,也是远古人类活动的真实记录。在我国岩画中,有很多有关原始狩猎生产的题材,图解式地表现了远古人类在狩猎经济时代的行猎情况,狩猎的规模,猎人手持武器时的猎姿,猎取的对象,行猎的方式等等。狩猎岩画充分反映了我国古代北方的狩猎业曾给当时社会各方面以深刻的影响。As the earliest and most brilliant art heritage of mankind,rock painting is also the true record of ancient human activities.In Chinese rock paintings,there are many themes about primitive hunting production.The images show the hunting situation of ancient humans in the hunting economy era,the hunting scale,hunting posture when hunters hold weapons,hunting objects, hunting ways and so on.Hunting rock paintings fully reflect that the hunting industry in the ancient north of China had deeply influenced all aspects of society at that time.

关 键 词：中国岩画 狩猎文化 

分 类 号：K879.4[历史地理—考古学及博物馆学] K892.2[历史地理—历史学]