蓬皮杜国家艺术和文化中心的中国收藏研究  

A Study on Chinese Works Collected in Pompidou National Centre of Art and Culture

作　　者：岳妍 Yue Yan

机构地区：[1]上海美术学院

出　　处：《美术》2019年第2期130-133,共4页Art Magazine

基　　金：2018年国家社科艺术学重点项目"中国近现代绘画作品海外收藏研究"(编号:18AF005)的研究成果之一

摘　　要：位于法国巴黎的蓬皮杜国家艺术和文化中心,在现当代艺术领域的声望与美国纽约现代艺术博物馆、英国伦敦泰特美术馆并列而成为世界现当代艺术收藏的重镇。作为该中心的重要基础,其馆内收藏被誉为"对于视觉艺术,尤其是20世纪上半叶的先锋艺术来说,无疑是最完整的组合和最连贯的全景"。在这幅囊括了300余个国家现当代艺术珍品的全景长卷中,来自中国的藏品亦可谓一枝独秀。本文以蓬皮杜中心的中国收藏为视角,通过西方艺术机构对于中国现代艺术的关注与认知,来获取一种外来艺术资源的运营经验。Pompidou National Centre of Art and Culture in Paris is one of the three significant museums famous for modern and contemporary art collection along with Museum of Modern Art in New York and Tate Modern and Tare Britain in London.As the important foundation of the Centre,the collections in it are praised as "the most complete combination and coherent panorama for visual arts especially avant-garde art in the first half of the twentieth century".Among the modern and contemporary art treasure ranging from more than three hundred countries,it may be said that Chinese collections outshine others.Based on the Chinese collections in the Centre,the paper tries to explore the experience in operating external art resource according to the attention to Chinese modern art from the western art institutions.

关 键 词：蓬皮杜 中国收藏 国际视野 

分 类 号：J205[艺术—美术]