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作 者:井溶[1] Jing Rong(Tianjin University of Commerce Boustead College,Tianjin 300384,China)
出 处:《艺术与设计(理论版)》2019年第1期66-68,共3页Art and Design
摘 要:文章探究中国画意象表现理论在动画场景设计中的转换。由于动画场景与中国画之间在空间表现上与情感表达上存在的共同点,可以直接运用中国画作为场景。中国画的色彩组合方式也可以直接运用在动画场景的色彩设计中。将中国画意象表现讲究虚实相生的构图方法,追求意境美与中和之美的理念转换到动画场景设计中,使动画场景设计不仅在场景表现形式上有了创新发展,而且更为生动地传递给观众丰富的情感文化与思想内涵。Objective to explore the transformation of image representation theory in .Chinese painting in animation scene design. Methods Chinese painting can be directly used as a scene because of the similarities between animation scene and Chinese painting in spatial expression and emotional expression.the color combination method of Chinese painting can also be directly used in the color design of animation scenes.The image expression of Chinese painting emphasizes the composition method of virtual and real,and the idea of pursuing,the beauty of artistic conception and the beauty of neutralization istransformed into the design of animation scene.Significance animation scene design not only has innovative development in the form of scene expression,but also more vividly conveys to the audience the rich emotional culture and ideological connotation.
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