通感艺术在李贺诗歌中的运用  

The applying of syraesthesia art in LI He' poetry

作　　者：任秀芹[1] 

机构地区：[1]云南财贸学院基础部,云南昆明650221

出　　处：《云南师范大学学报（哲学社会科学版）》2002年第3期74-77,共4页Journal of Yunnan Normal University：Humanities and Social Sciences Edition

摘　　要：李贺是中国古代诗人中通感艺术运用得最具个人特色的一位。为了表达自己激愤压抑与迷惘感伤相交错的愁苦心情 ,他往往通过描写个人的直觉和幻觉 ,将内心的体验进行综合、变形、转换和重组 ,并在视、听、触、味、嗅诸种感觉之外加入自己强烈的主观感受和情绪 ,以构造瑰奇冷艳、虚幻荒诞的诗境。在这个意象重组的过程中 ,通感艺术的运用起了重大作用。本文拟对李贺诗歌中通感艺术的广泛运用 ,作一些初步的探讨和研究。The syraethesia is a aethetical process, and it is that the impression obtained by different feeling organs is transferred and borrowed each other. It can be applied in poetry writing and make the poetry be imbued with artistic conception. Li He was a poet who had a individual characteristics in applying the syraesthesia art, this paper probed into the wide-ranging applying of the syraesthesia art in LI He's poetry.

关 键 词：李贺诗歌 通感艺术 运用 

分 类 号：I207.22[文学—中国文学]