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作 者:李乐平[1]
机构地区:[1]广东海洋大学文学院
出 处:《武汉大学学报(人文科学版)》2014年第4期76-82,共7页Wuhan University Journal (Humanity Sciences)
基 金:教育部人文社会科学基金项目(11YJA751038)
摘 要:闻一多和王尔德都曾强调艺术形式,追求愉悦作用,推崇艺术本身而反对表现道德。但他们对美的表现和本质认识不同。王尔德追求美而不真,属于美的偏执。闻一多则把真作为美的前提,崇奉美即是真和真即是美。王尔德颠倒艺术和生活的主从关系,闻一多却对其进行科学的辩证分析。王尔德的创作是唯美与颓废融合,闻一多却只唯美但不颓废。王尔德在个人表现方面极不严肃,闻一多却特别拘谨。我们将闻一多和王尔德进行比较,最重要者是要将辨别假丑恶和真善美作为评价坐标,以之增强我们核心价值观及其判断力乃至道德责任感。Both Wen Yiduo and Wilde have emphasized on the form of Art, pursued of pleasure, respected art itself and objected the performance of moral. While they held different cognisanee on the perfomance and the essence of beauty. Wilde pursued the beauty without truth, belonged to the paranoia of beauty. Wen Yiduo regarded truth as the premise of beauty,worshiped beauty was truth and truth that beauty. Wilde reversed the subordination between art and life, but Wen Yiduo carried the scientific dialectical analysis on them. Wilde's creation was beautiful and decadent, Wen Yiduo 's creation was only beautiful, hut not decadent. Wilde was extremely serious in terms of personal performance, Wen Yiduo was particularly stiff. We will compare Wen Yiduo and Wilde, the most important thing is to distinguish between fake and true as evaluation coordinates, it will enhance our core values,judgment and moral responsibility.
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