“怀旧文化”的哲学反思与批判  

Philosophical Reflection and Criticism on "Nostalgia culture"

作　　者：张宏邦[1] 

机构地区：[1]西安交通大学

出　　处：《中国社会科学院研究生院学报》2014年第4期116-120,共5页Journal of Graduate School of Chinese Academy of Social Sciences

摘　　要：作为后现代社会一种特殊的感性体验(审美生存)作业样式,"怀旧文化"使得人们在现实与历史、自我与他者、虚拟与实在的碰撞与协调之间找回自我发展、社会和谐的同一性与连续性。尽管怀旧文化作为一种明理格物的文化样式合宜,但其作为一种思想馈赠的文化逻辑无效。怀旧本身关涉"个人记忆"和"集体记忆"两个端点,而勾连这两个端点的网络空间,恰好提供了当代怀旧文化充分展开的社会公共空间。关键的问题在于,怀旧文化在迎合科技进步、社会转型和大众自由发声逻辑需求时,何以不动声色地秉持哲学自身基于现实权力镜像的"隐性批判"本色。As a special kind of emotional experience （aesthetic existence） in postmodern society, ＂nostalgia culture＂ makes identity and continuity of selfdevelopment and social harmony possible between reality and history, self and ＂others＂, the virtual and reality by collision and coordination. The nostalgic culture is reasonable as a kind of cultural style of ＂investigation of things＂, but it is invalid as a kind of cultural logic of ＂gift ideas＂ . Nos talgia itself is concerned about both ＂personal memory＂ and ＂collective memory＂, and the net space which connects the two endpoints, just provides fully expanded public space for the contemporary cultural nostalgia. The key problem is how nostalgia culture upholds ＂im plicit criticism＂ of the philosophy itself based on the real powers, while it is catering to sci entific and technological progress, social ＂transformation＂ and the freedom of the publics.

关 键 词：“怀旧文化” 感性体验 “集体记忆” 网络空间 

分 类 号：G122[文化科学]