帝国话语的再现与延伸——从小说《吉姆爷》到电影《阿凡达》  

The Representation and Extension of Imperial Discourse——From the Novel Lord Jimto the Movie Avatar

作　　者：马新[1,2] 顾华[1] 

机构地区：[1]东北大学外国语学院,辽宁沈阳110819 [2]中国人民大学外国语学院,北京100872

出　　处：《东北大学学报（社会科学版）》2014年第4期429-434,共6页Journal of Northeastern University(Social Science)

基　　金：教育部人文社会科学研究规划基金资助项目(13YJA752030)

摘　　要：通过对比《吉姆爷》和《阿凡达》两部作品的故事背景、人物命运、叙事情节等方面,认为康拉德小说《吉姆爷》借助"东方"马来叙事散播帝国话语,而美国电影《阿凡达》以小说《吉姆爷》为"原型"宣扬帝国意识形态,是《吉姆爷》中东方主义思想的再现和延伸。在全球化视域下,西方国家不仅借助小说这一表现形式传播帝国话语和意识形态,还采用更为广泛、更快速有效、更具影响力的文化形式——电影媒体,确保多方位向第三世界国家乃至全世界推行文化霸权。By a comparison of the story background, character destiny, and narrative plot of the two works--Lord Jim and Avatar, Lord Jim, a novel spreading the imperial discourse through the narration of an ＂Oriental＂ Malay island, is viewed as the archetype of Avatar which propagandizes the imperial ideology, represents and extends the Orientalism embedded in Lord Jim. In the context of globalization, Western countries disseminate their imperial discourse and ideology not only by means of novels, but through such more extensive, effective and influential cultural means like movies to ensure the implementation of cultural hegemony over the third-world countries and even the whole world.

关 键 词：《吉姆爷》 《阿凡达》 东方主义 帝国话语 文化霸权 

分 类 号：I106.4[文学—世界文学]