当戏剧的“一翼”变成“一统”——西方与俄苏左翼戏剧走向之比较  

When One Wing Becomes Two——A Comparison in the Different Developments of Left Theatres in the West and the Soviet Union

作　　者：李时学[1] 

机构地区：[1]集美大学文学院,福建厦门361021

出　　处：《集美大学学报（哲学社会科学版）》2014年第3期105-110,123,共7页Journal of Jimei University：Philosophy and Social Sciences

基　　金：福建省社会科学基金项目(2008B075)

摘　　要：将西方与俄苏左翼戏剧作为主体来考察其各异的历史进程与走向,至少可以发现两方面的意义:一是认清左翼戏剧因语境变化而发生的生存状况的改变及可能的存在时段;二是确立左翼戏剧能够保有其"反叛"与"颠覆"品格的必要语境,即适当民主的社会政治氛围、多元的意识形态空间与自由的话语权力。以此阐明在何种条件下左翼戏剧能够作为戏剧的"一翼"得以存在和发展,又在何种政治语境中无法生存,以至于消亡。After analyzing the different developments of Western and the Soviet Union Left Theatres, two conclusions can be made. Firstly, the Left Theatres change along with their social contexts. Secondly, the social contexts that contribute to the maintenance of the characteristics of Left Theatre, rebellion and subversion, are democracy, coexistence of various ideologies, and freedom of speech. The key illumination is focused on what conditions the Left Theatre is able to survive and bloom as a distinctive genre of theatre and on what other conditions it would shrivel and demise.

关 键 词：左翼戏剧 生存 语境 意识形态与乌托邦 

分 类 号：I106.3[文学—世界文学]