地方戏曲的社会认同度与审美接受研究——以安徽庐剧、黄梅戏为例  

On the Social Recognition Degree and Esthetic Reception of Local Drama: A Case Study of Anhui Lu and Huangmei Opera

作　　者：何峰[1] 

机构地区：[1]合肥学院安徽高校人文社科重点研究基地"环巢湖文化与经济社会发展研究中心",合肥230601

出　　处：《合肥学院学报（社会科学版）》2014年第4期76-79,共4页Journal of Hefei University:Social Sciences

基　　金：安徽省哲学社科规划项目"多元文化语境下庐剧的艺术传承与范式转型研究"(AHSK11-12D271)基金资助;安徽高校人文社科重点研究基地"环巢湖文化与经济社会发展研究中心"项目成果之一

摘　　要：形成于农耕文明时代的民间戏曲在当下要实现艺术传承和繁荣发展,就必须重视如何提升其社会认同度的问题。因为,社会认同度越高,其审美接受程度也就越高。当前社会风尚、文化潮流和社会心理向度与大众的艺术认同度及审美接受存在密切关系,地方戏曲的传承者应重视这种关系,并去应对大众艺术认同度与审美价值取向的变化。To realize the esthetic heritage and prospering development of folk art at present, which was formed during the agricultural civilization times, how to promote its social recognition degree should be paid a lot of attention to. The higher the social recognition degree it has, the higher its esthetic reception becomes. Nowadays, there is close relation between the social and cultural trends, as well as social and psychological dimensions with the art recognition and esthetic reception of the public. So the inheritors of the local drama should attach importance to this relation and have active response to the change of the art recognition degree and the esthetic orientation of the public.

关 键 词：地方戏曲 认同度 审美接受 庐剧 黄梅戏 

分 类 号：I236.54[文学—中国文学]