渐褪自然色彩的田园牧歌——论浩然早期的小说创作  

Pastoral Life Whose Natural Color Gradually Fades——On Haoran's Early Novels

作　　者：杨建兵[1] 

机构地区：[1]武汉工程大学外语学院,湖北武汉430073

出　　处：《长沙大学学报》2014年第4期82-85,共4页Journal of Changsha University

摘　　要：浩然的早期小说呈现出一种田园牧歌色彩。它与沈从文的田园牧歌又有明显的不同,主要表现在三个方面:浩然早期小说中自然景物和风俗只是人物活动的背景,不担当叙事功能;"政治化的人"取代"自然化的人",人物的日常身份逐渐消失,政治身份浮出地表;相应的,维系人与人之间的关系不再是强调血缘和地缘的"自然关系",而是重视阶级出身或社会地位的"政治关系"。但他笔下农民的"原生态"性格更为突出,日常化的生活场景压倒了政治化的生活场景。因此,浩然早期的小说是一种"渐褪自然色彩的田园牧歌"。Haoran＇ s early novels present a pastoral life. But his pastoral life is different from that of SHEN Congwen in three aspects ： the natural scenery and customs in Haoran＇ s early novels are just the background of characters＇ activities without narrative functions; ＂political humans＂ take the place of ＂naturalized humans＂ because their daily identities gradually disappear and political identities be- gin to emerge; correspondingly, what sustains the interpersonal relationships is not the ＂natural relationships＂ which emphasize blood and geographical relationships, but political relationships which put a high value on class origin and social status. However, ＂the or/g/- nal ecology＂ character of the peasants under his pen is more prominent, and daily life settings overwhelm politicized settings. There- fore, Haoran＇ s early novels describe a kind of ＂pastoral life whose natural color gradually fades＂.

关 键 词：1950年代 浩然小说 田园牧歌 自然 政治 

分 类 号：I207.4[文学—中国文学]