“从茱萸纹到缠枝纹”论中国传统植物纹样的演变与应用  

An Analysis on Evolution and Application of Chinese Traditional Plant Patterns “From Fructus Evodiae Pattern to Winding Branch Pattern”

作　　者：张爱丹[1] 

机构地区：[1]浙江理工大学材料与纺织学院,杭州310018

出　　处：《丝绸》2014年第7期58-63,共6页Journal of Silk

基　　金：国家社会科学基金艺术学项目(12BG064);浙江省重点科技创新团队项目(2011R50004)

摘　　要：以茱萸纹、忍冬纹、卷草纹、缠枝纹四种不同历史时期的植物纹样为研究对象,依托它们的社会时代背景,从形式与意味两方面对其进行比较分析。从汉代茱萸纹的题材意味胜于结构形式,到明清缠枝纹的结构形式重于题材意味,梳理出存在于它们之间的生命轨迹。四种纹样经历了对表现题材本身神秘力量的敬仰,趋向对纹样结构样式的形式美感和象征寓意的显现,与它们之间结构模式从无定型期走向程式化相一致,而其应用也从相对的单一逐步多元化。从汉代"茱萸纹"到明清"缠枝纹",传统植物纹样的演变与应用,与人的智性发展及主体意识的增强密切相关。In this paper, four plant patterns in different historical periods, including fructus evodiae pattern, honeysuckle pattern, scroll grass pattern and winding branch patterns were researched. Comparative analysis was carried out from the aspects of the form and meaning on the basis of their historical background. This paper organized their life track from theme meaning of fructus evodiae pattern superior to structural form in Han dynasty to structural form of winding branch pattern superior to theme meaning in Ming and Qing dynasties. The four patterns experienced admiration of mysterious force of theme and tended to show the beauty in form and symbolic meaning of the structural form of the patterns. Their structural pattern moved towards consistence from amorphous form. Their applications also became diversified from relative oneness. The evolution and application of tradition plant patterns from fructus evodiae pattern in Han dynasty to winding branch pattern in Ming and Qing dynasties are closely related to human intelligence development and enhanced subject consciousness.

关 键 词：茱萸纹 忍冬纹 卷草纹 缠枝纹 传统植物纹样 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程] J523.1[艺术—艺术设计]