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作 者:杨德忠[1]
机构地区:[1]南京艺术学院艺术学研究所,江苏南京210013
出 处:《艺术探索》2014年第3期34-38,4-5,共5页Arts Exploration
基 金:江苏省2012年度普通高校研究生科研创新计划项目"明代前期(1368~1464)宫廷画家的艺术风格与身份认同研究"(CXZZ12_0647)
摘 要:关于李在入京供职的时间,明清艺术史料皆记载不清,现当代一些著述的记载也略有出入。而关于其生卒年一直以来也是艺术史上一个未解之谜。作为明代前期一位重要的宫廷画家,李在与戴进、马轼等当时其他一些画家一起共事宫廷,相互之间必然存在千丝万缕的联系。因此,从与其同时期的其他宫廷画家相关文献中探寻线索,有助于对李在的研究,这也为研究明代前期其他宫廷画家提供了线索。There were little records about the time of Li Zai got into the court in the art historical material in the Ming and Qing dynasty, and some writings on modern art history were also with slight difference. The years of Li Zai's birth and death is also has long been a mystery in the history of art. As an important court painter in the early stage of Ming dynasty, Li Zai worked with Dai Jin and Ma Shi and some other painters in the court,there were inevitably connected to each other. Thus, finding clues from the related literature about the other court painter at the same period is not only helping us to study Li Zai, but also throw light on the other court painters in the early stage of Ming dynasty in turn by studying Li Zai.
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