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作 者:李新珂[1]
机构地区:[1]南阳师范学院美术与艺术设计学院,河南南阳473061
出 处:《南阳师范学院学报》2014年第8期59-61,共3页Journal of Nanyang Normal University
基 金:南阳师范学院校级课题"玉雕教学中泥塑基础课程设置问题研究"(QN2013011)
摘 要:玉器造型追求形式美,讲究动静相衬、虚实相生,玉器之美源于空间塑造。现代玉雕对空间美的追求与泥塑写生异曲同工。泥塑写生训练所涉及的"材料、形体、线型、空间"这些元素正是构成玉雕艺术整体造型、节奏和韵律的本质。When it comes to jade carving design, priorities are given to formal beauty, integration of motion and motionlessness, as well as combination of the tangible and the ethereal. The beauty of jade articles stems from spatial modeling, which is similar to clay sculpture. Elements involved in the sketch training of clay sculpture such as "material, shape, line type, and space" are also the essential ingredients in the art of jade carving.
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