家庭、母性神话的消解——山田咏美小说中的家庭观与母性观  

Dispelling the Myth of Family and Maternalism——On Views of Family and Maternity in Amy Yamada's Novels

作　　者：张洁[1] 肖霞[1] 

机构地区：[1]山东大学外国语学院

出　　处：《中华女子学院学报》2014年第3期71-76,共6页Journal of China Women＇s University

基　　金：教育部人文社会科学研究一般项目"日本现代女性文学的主题表达与价值取向"的阶段性成果;项目编号:12YJA752030

摘　　要：山田咏美的作品充满了对现代社会的反抗,她在文学作品中探讨了非血缘家庭、没有性爱的夫妻关系以及新型母子关系的可能性。她通过《垃圾》《杰西的背骨》两部作品揭示出以恋爱为基础的男女关系必然破裂,在否定传统意义上家务、生儿育女等责任是女性的全部价值体现的基础上,颠覆了以母子关系为纽带的血缘家庭的可能性,对生育即母性的观点进行了强烈的批判。本文通过与当代女性作家的家庭、母性描写的对比,来探究山田咏美的家庭母性观,并对此进行审视与评价。Amy Yamada＇s novels, which are full of rebellion against modern society, explore the non-kindred family, conjugal relations without love, and the possibility of new mother-child relationships. In her two novels, Trash and Jesse＇s Spine, Yamada shows relations between the two sexes based on love will necessarily fracture. On the basis of denying traditional responsibilities such as housework and having children are the entire embodiments of value for women, she subverts the possibility of the kindred family bonded by mother-child relationships, and strongly criticizes the idea of having children as maternal. By comparing the modern woman writer＇s families and the depiction of maternity, the paper studies Amy Yamada＇s views of family and maternity, surveying and commenting on them.

关 键 词：山田咏美 家庭 母性 母子关系 

分 类 号：I106.4[文学—世界文学]