重构“革命文化”的认同空间——近年来“主旋律”电影的表意新变  

Reconstructing the Identity Space of “Revolutionary Cultures”——Some New Changes of the Expressive Methods of Late “Main Theme” Movies

作　　者：郝朝帅[1] 

机构地区：[1]广东第二师范学院中文系,广东广州510303

出　　处：《广东第二师范学院学报》2014年第4期61-66,共6页Journal of Guangdong University of Education

摘　　要：虽然红色年代建立起的"革命文化"在当下社会心理结构中已然衰落,但近些年仍有一些影片通过表意策略的调整在试图重构"革命文化"的精神认同,比如《张思德》、《硬汉2》以及《厨子戏子痞子》等。这些影片要么讲述了另一种"人性"话语,要么以退为进坚守着英雄情怀,要么在癫狂表象之下重返革命叙事。这些表意策略的新变也为未来"主旋律"影片的发展提供了良好样本。Though the “Revolutionary Cultures” developed in the red times has comedown,still some “main theme” movies preserve and transmit its spirits,such as Zhang si-de,A Man of Iron II,and A Chef,An Actor and a Ruffian. Among them,some tell another kind of“human nature” discourse,some of them hold tightly to the hero spirit with compromising methods,while some return to the revolutionary narration,only covering a demented coat. This kind of “main theme” movie also provides fine model for future China.

关 键 词：“革命文化” 认同 “主旋律”电影 表意策略 新变 

分 类 号：J902[艺术—电影电视艺术]