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作 者:郁玉英[1]
机构地区:[1]井冈山大学人文学院庐陵文化研究中心,江西吉安343009
出 处:《井冈山大学学报(社会科学版)》2014年第4期129-136,共8页Journal of Jinggangshan University(Social Sciences)
基 金:国家社科基金项目"宋词经典的生成及嬗变研究"(项目编号:10CZW027)
摘 要:二十年来中国古代文学经典研究的涉及面较广,取得了一定成果,但在经典研究热中仍颇显冷清,需加强和深化。从研究范围看,有必要扩大研究面,揭示古代文学经典及经典化的系统性和独特性;从研究层面看,有必要结合经典的创作者与接受者,经典的内质与经典遭遇的文化气候,论证古代文学经典及其经典化过程;从研究方法看,对比研究、实证研究,需进一步完善;就经典本身而言,则需以当代意识作出新的诠释与判断。从经典视角研究中国古代文学,有利于揭示中国古代文学经典的人文意蕴,探索文学的创作活动和传播接受之间的联系,发掘文学内在的审美属性和外在的历史文化属性之间的关联,揭示古代文学思想价值、审美价值的动态变化。The last score years witnessed ancient Chinese canhon studies of broader fields and with certain achievements. Nevertheless, compared with the heat of cannon studies in general, the above said studies display somewhat coldness and require more intensive exploration. It is necessary to broaden the range of studies and reveal the systematicality and uniqueness of ancient literature canons and their canonization; it is also necessary to elaborate the canons and their canonization acceptors of the canon, as well as the canons internal qualities requires better methods of comparative studies and empirical studies; judgment revealing literature through investigating both writers and and external cultural environments; it and it calls for new interpretations and of the canons against modern consciousness. Studies through perspective of canon is helpful for the humanist implications of ancient Chinese literary canons, exploring the relationship between writing, literature circling and its acceptance, examining the interrelations between the internal aesthetic qualities of literature and its external historical-cultural features, and illustrating changes in the ideological and aesthetic values of ancient literature
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