文化变迁中的土族民歌音乐创作思维特质  

The Folk Creation Thinking Characteristics of Tu Minority in Cultural Change

作　　者：李华[1] 

机构地区：[1]青海师范大学音乐系,青海西宁810008

出　　处：《青海师范大学学报（哲学社会科学版）》2014年第3期91-94,共4页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：青海省社科规划办项目<文化变迁下的土族民歌创作思维研究>(12050)

摘　　要：土族是一个独特的民族,其民族的形成与发展是在不断的社会文化变迁中进行的,特别是进入蒙元时期以后,民族文化、民族文化思维与民族音乐创作思维在社会文化变迁的大背景下,较快地实现了与他民族文化的涵化与融合过程,对民族音乐创作思维的个性特征产生了较为深远的影响,成为土族早期民歌继承、发展及民歌种类产生形成的重要阶段。Tu Minority is an unique ethnic minorities,and the formation and development of Tu is car-ried out in the social and cultural changes in constant. After entering the period of Yuan Dynasty, the na-tional culture, national culture thinking and national music creation thinking were fused with the other eth-nic minorities. This period affects the personality characteristics of Tu Minority＇s folk music,and it is animportant stage of Tu Minority＇s early folk＇s inheritance and development.

关 键 词：土族 多元文化 音乐创作思维 

分 类 号：J607[艺术—音乐]