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作 者:黄笑冰[1]
出 处:《北京舞蹈学院学报》2014年第4期97-100,共4页Journal of Beijing Dance Academy
摘 要:古典芭蕾通过塑造不同的形象来表现特定时期人们的审美需求,人物是舞蹈作品主要表现的对象。芭蕾舞剧《吉赛尔》作为西欧浪漫主义时期的重要作品,在众多舞剧中让笔者最为心动。在不断的教学与实践中,笔者领悟到:不同情境的人物性格塑造、不同场景的舞蹈语汇的表达、不同阶段的音乐背景提示应成为舞剧舞台表演者应着重揣摩的表演技巧。本文对浪漫芭蕾舞剧《吉赛尔》中人物形象塑造进行分析,阐述笔者对芭蕾舞剧舞台表演技巧的认识。Classical ballet expresses people's aesthetic demand of a specific period by modeling different images, and thecharacters are the main objects of description and expression of the dance works. ' Giselle' is one of the most touching and importantballets of the romantic period in Western Europe. Along with teaching and practicing, the author gradually understands and realizes thatthe task of dance performance is to master all the movements and skills into the image shaping, as well as combining with artisticelements like music, to transform the content of the work into visualized and perceivable dancing images. This article focuses onanalyzing different characters in the ballet ' Giselle' , elaborating on the views of character development. The author considers characterdevelopment as the soul of ballet creation. In ' Giselle' , characteristics of individual characters are well expressed by body language,increasing the ballet drama from the image, developing the inner richness and complexity of the characters, and revealing thecharacteristics of ballet drama.
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