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作 者:杜若松[1]
出 处:《海南大学学报(人文社会科学版)》2014年第4期77-82,共6页Journal of Hainan University (Humanities & Social Sciences)
基 金:教育部社科基金项目(10YJA751047);长师大社科合字项目(2012-003)
摘 要:近代女性文学创作中的女性自叙体叙事属于女性古典文学叙事向现代文学叙事的过渡类型,以大量的创作传记、日记、书信形式散见于近代女性期刊中,其中尤以易瑜的《髫龄梦影》、赵璧如的《赵璧如女士日记滕稿》为代表,区别于近代女权小说受男权意识形态指导的"回响"状态,具有彰显女性"自我"意识,还原女性自我生活历史的特征,这种内倾型立场与选择恰与五四女性作家群创作相贯通,成为了五四女性文学创作的先声。Autobiographical narrative in the modern female literature creation marks the transitional type from the classical female literary narrative to the modern literary narrative, which randomly exists in the form of crea- ted autobiographies, diaries and letters among the modern women journals. In particular, Childhood Dreaming by Yi Yu and Draft of Zhao Biru' s Diary are the typical representatives, which are distinct from the “echoing” state of modern feminist novels guided by the patriarchal ideology and meantime display the characteristies of revealing the females' self-consciousness and reproducing the life history of the females themselves. The stand- point and choice of the introversive type coincide with the creation of the female writers in the May Fourth Period, pioneering the literary creation of the female in the May Fourth Period.
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