对音乐美学研究引入人类学方法的理论思考——兼谈多元音乐美学构建的社会文化观照  

Theoretical Thoughts on Introducing Anthropological Methods in the Research in Music Aesthetics

作　　者：黄宗权[1,2] 

机构地区：[1]福建师范大学音乐学院,福建福州350108 [2]中央音乐学院音乐学系,北京100031

出　　处：《南京艺术学院学报（音乐与表演版）》2014年第2期50-56,161-162,共7页Journal of Nanjing Arts Institute:Music & Performance

基　　金：教育部人文社会科学重点研究基地中央音乐学院音乐学研究所重大规划项目<全球化语境中的多元音乐文化观念研究>(项目编号:2007JJD760032)的研究成果

摘　　要：我国音乐美学研究长期在西方音乐美学的话语体系中进行,这是学科的定位和历史决定的。在新的历史条件下,对音乐形态自身和音乐文化的认识已经突破了传统范式,由此引发了不同于以往的对待音乐的观念和态度。现有音乐美学体系已无法容纳当下的音乐现实,从而致使当前音乐美学的学科立场面临新的问题。本文以为,引入音乐人类学的视野和学科方法、构建多元音乐美学是促使音乐美学学科克服现有局限获得新发展的重要途径。For a long time the research on Chinese music aesthetics is carried out within the system of its Western counterpart due to the positioning of the discipline and the history.Under new historical condition the understanding of musical morphology and culture has made breakthrough to the traditional way of thinking which,as a result,has brought out different concepts and attitude towards music.The existing system of music aesthetics is no longer capable of accommodating the current reality of music and the discipline faces a series of new challenges.This essay provides a possible important solution to the issue by introducing anthropological research methods and by building up diversified music aesthetics to address the shortcomings of the old system.

关 键 词：音乐观念 音乐文化 多元音乐美学 人类学方法 

分 类 号：J601[艺术—音乐] J605