体格之变与北宋中前期词运之转关  

On the Transition of Ci in the Earlier and Mid North Song Dynasty

作　　者：李静[1] 苏畅[1] 

机构地区：[1]吉林大学文学院

出　　处：《吉林大学社会科学学报》2014年第5期135-143,175,共9页Jilin University Journal Social Sciences Edition

基　　金：国家社会科学基金项目(11BZW056);吉林大学基本科研业务费人文学科基础研究专项项目(2013ZZ010)

摘　　要：北宋中前期是词体发展之一重要转折期,其时词的创作,就具体体格而言,多有丕变。首先,词的生成场域由晚唐五代时以宫廷、豪门为主发展为更为普泛的普通文人士大夫之间诗酒往来的酒场、歌场,而词的创作目的也由落魄文人为主人写歌供其娱乐,转而变为文人士大夫之间的自我娱乐与消遣,进而为自我性情的深情感兴与生动吟咏。其次,词的作者身份(即作者本人)与文本身份(即文本中的抒情主体)已经化而为一,从游离走向重合,即使在闺情词的创作上,词的隐含作者也多已不复存在,而示之以原本身份。再次,在抒情模式上,"情"与"文"的关系发生了变化,词作文本的生成更多地得自于某种情感的自然发展,即便是传统的闺怨体,也突破了"花间体""情生于文"的为文设情模式,转而变为"文生于情"的真情书写。The earlier and mid North Song Dynasty was the time that Ci had gone through important transition.Firstly,the creative sites of Ci had changed from mainly at the Court and reach and powerful families to more normal places where scholar-officials got together to drink and make poems,and the aims of Ci written changed from abjection scholars for their masters to the self-enjoyment of scholar-officials,therefore to become a deep and emotional expression of self-temperament. Secondly,the author and the text of Ci became united,the authors became open and public,the implied hidden authors disappeared. Thirdly,on the mode of emotional expression,there were changes in the relation between emotion and text and the creation of text of Ci more from the natural development of some sentiment and became the expression of real emotion.

关 键 词：词 词史 北宋 体格 士大夫词 

分 类 号：I207.23[文学—中国文学]