论唐代赋得体诗的创作特征及其流变  

The Characteristics and Evolution of Fu De Poetry in the Tang Dynasty

作　　者：吴河清[1] 

机构地区：[1]河南大学国学研究所,河南开封475001

出　　处：《河南大学学报（社会科学版）》2014年第5期88-96,共9页Journal of Henan University(Social Sciences）

基　　金：教育部人文社科基金项目"唐诗文献学史论"(11YJA751077)阶段性成果

摘　　要：赋得体诗是中国古典诗歌的一种特殊形式,它脱胎于齐梁公宴诗,流行于陈隋,至唐代大放异彩。初唐赋得体诗扬弃"六朝锦色",开启了"唐三百年风雅"之盛;盛唐赋得体诗恢宏阔大,自然浑成,尽显大唐气象;中唐赋得体诗体悟精巧,细致精雅;晚唐赋得体诗在苍凉末世的余晖中徐徐落幕。起自唐代赋得体的省试诗,具有规范的制作标准并体现出特殊的心理期待。学界对于唐代赋得体的研究,目前尚停留在概念的界定与省试诗和应制诗的研究。Fu De poetry, as a special part of poetry, was born out of banquet poetry in the Qi and Liang Dynasty, popular in the Chen and Sui Dynasty, and made great achievements in the Tang Dynasty. It got rid of the ornate style from the Southern Dynasties and opened the door for the prosperity of the Tang Poetry in the Early Tang. It manifested the great nation by its natural and grand style in the High Tang. Its conception and form are ingenious in the Middle Tang. In the end, it faded away with the decline of the Tang Dynasty in the Late Tang. Poetry for the imperial examination originating from Fu De poetry was ruled by the regulatory standards and embodied particular expectations, which deserves our attention and researches. However, scholars confine their research to definition, poetry for the imperial examination and banquet poetry so far.

关 键 词：赋得体诗 省试诗 创作特征 发展流变 

分 类 号：I206.2[文学—中国文学]