扬州民歌没有山歌体裁吗——兼说中国民歌分类问题  

Whether there is Mountain Song in Yangzhou Folk Music or not: Also on Categorization Problem of Chinese Folk Song

作　　者：杨殿斛[1] 

机构地区：[1]扬州大学艺术学院,江苏扬州225009

出　　处：《艺术百家》2014年第4期166-172,181,共8页Hundred Schools In Arts

基　　金：2014年度扬州大学教改重点课题"扬州地方音乐课程资源系统研究"(项目编号:YZUJX2014-4A)阶段性成果之一

摘　　要：关于号子、山歌和小调作为民间歌曲研究的体裁分类,从1942年吕骥首倡到1964年集体编写的"民族音乐概论"1出版,体现了中国音乐学术界民歌研究分类的思考,是集体智慧的结晶。而目前出版的《中国民间歌曲集成·江苏卷》没有扬州山歌,而有关扬州地区民歌的著述,分类也只有"号子"和"小调",独缺"山歌",让人疑惑不解。是扬州地区本来就没有山歌体裁,还是被误划到"号子"或"小调"中了?如果没有误划,那么其他民歌体裁是如何分担"山歌"传情达意的社会交际功能的?如果是误划,是如何误划的?Generality of National Music, firstly proposed by Lv Ji in 1942 and compiled collectively in 1964, divided folk song into 3 kinds： work song sung to synchronize movements, mountain song, and ballad. This is a result of collective wisdom of Chinese music academic circle. However, recently published Collection of Chinese Folk Song Jiangsu Volume does not list- Yangzhou mountain song, which confused us a lot. Whether there is no mountain song in Yangzhou or is it wrongly categorized into work song or ballad？ If it is not be wrongly categorized, how does other type of folk song share its responsibility of social communication？ If it is wrongly categorized, then how it is wrongly categorized？

关 键 词：音乐艺术 中国民歌 民歌分类 号子 山歌 小调 扬州 《撒趟子撩在外》 雅化 

分 类 号：J60[艺术—音乐]