“望果节”藏戏演出习俗初探  

Study on the Custom of Tibetan Opera Performances of Ongkor Festival

作　　者：李宜[1] 

机构地区：[1]西藏民族学院文学院,陕西咸阳712082

出　　处：《西藏民族学院学报（哲学社会科学版）》2014年第4期25-28,154,共4页Journal of Tibet Nationalities Institute(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金重点项目"西藏藏戏形态研究"(项目号:11AZW007);西藏民族学院一般项目"西藏藏戏剧目研究"(项目号:11MYY04)阶段性成果

摘　　要："望果节"是广泛流行于西藏雅鲁藏布江中游和拉萨河两岸农区祈求农业丰收的节日。它源于古老的苯教活动,15世纪后演变为西藏的传统节日,藏戏演出也随之成为"望果节"活动内容之一并沿袭至今。最初的"望果节"活动以祈神、娱神功能占主导地位,后来逐渐演变为人神共享、人神共欢的综合性节日。现在,"望果节"的藏戏演出中娱神成分愈来愈少,娱人功能日益加强,其世俗性倾向也更趋明显。The Ongkor Festival is widely popular in the Tibet middle reaches of Yarlung Zangbo River and the Lhasa River area for agricultural harvest festival of prayer which comes from the ancient Bon religion activities of the 15 th century after the evolution of Tibetan traditional festivals.The Tibetan opera performances had become the Ongkor Festival activities and follow up to now.Ongkor Festival was first to pray god and entertain god.Dominating features later involved God and men shared enjoyment.Now in Ongkor Festival function of Tibetan opera performances entertaining less god and more people is increasingly strengthened.Its secular orientation has become more and more obvious.

关 键 词：望果节 来源 藏戏 习俗 变化 

分 类 号：K892.3[历史地理—民俗学]