探析村上春树小说中的后现代主义“孤独”情结——以《没有色彩的多崎作和他的巡礼之年》为例  

Analysis of Post-modernism Signifi cance of Loneliness in Haruki Murakami's Novels——Case Study of Colorless Tsukuru Tazaki and His Years of Pilgrimage

作　　者：庄幼红 

机构地区：[1]福建师范大学传播学院,福建福州350108

出　　处：《广州广播电视大学学报》2014年第4期69-72,110,共4页Journal of Guangzhou Open University

摘　　要：后现代主义产生于二战后经济高速发展的美国,并迅速流传开来。后现代主义的"去中心化"特征使"孤独"时常成为后现代主义小说的主题。日本作家村上春树的小说中也常常弥漫着一股后现代主义的"孤独"韵味并备受都市白领、小资推崇,形成"村上春树热潮"。村上春树2013年的新作——《没有色彩的多崎作和他的巡礼之年》仍然延续着一贯的"孤单"主题,但此次的"孤单"有了新的况味,作品中凸显的人文关怀也有新的升华。After the World War II, economy was booming in the United States, then Post-modernism was generated, and quickly spread across the world. It is generally characterized by decentralization, thus novels of this style are often centered on loneliness. This is so fascinatingly expressed by Japanese writer Haruki Murakami that his works are especially adored by white-collar workers and petty bourgeois in city, resulting in a Murakami Fever. His newest book, Colorless Tsukuru Tazaki and His Years of Pilgrimage was released in 2013. Though loneliness still dominates the story, it has taken on a fresh fl avor, and its signifi cance of humanistic caring has also become more prominent.

关 键 词：后现代主义 村上春树 孤独 没有色彩的多崎作和他的巡礼之年 

分 类 号：I106.4[文学—世界文学]