清末民初的戏剧布景批评  

The Drama Scenes Criticism at the Late Qing and Early Republic

作　　者：陈佳[1] 

机构地区：[1]复旦大学中国古代文学研究中心,上海200433

出　　处：《理论界》2014年第8期110-113,共4页Theory Horizon

基　　金：2012年度教育部人文社会科学重点研究基地重大项目"近代报刊曲话的整理与研究"(12JJD750007)的研究成果

摘　　要：布景是舞台上的造型因素之一,是戏剧舞台美术的重要组成部分。它与戏剧关系密切,不仅有助于剧情的体现,更对观众欣赏和演员表演产生较大影响。清末民初的批评家对新旧剧的布景运用往往分而论之,普遍反对旧剧使用布景,而充分肯定布景在新剧演出中的作用,并针对其运用不当之处提出积极建议。他们还通过译介西方相关著作或考察西方剧场,为当时中国戏剧舞台布景的发展提供了可资参考的理论知识和实践案例。The scenery is one of the shaping factors on the stage and it is an important part of the drama stage art. It is close to drama, and will not only help the embodiment of the plot, more have great influence to the audience appreciation and performers.Critics of the late Qing and early republic keep the application of old and new drama scenery separate, generally oppose the old drama scenes, and fully affirm its role in the new drama performances, and make positive suggestions for its improper use.They also provide the reference theoretical knowledge and practical cases for the development of Chinese drama stage scenes through the translation of western works or the investigation on western theatres.

关 键 词：清末民初 戏剧批评 舞台布景 

分 类 号：I23[文学—中国文学]