六朝墓志书体及相关问题探析  

Research on the Calligraphy of Epitaphs in Six Dynasties

作　　者：朱智武[1] 

机构地区：[1]南京晓庄学院教师教育学院,江苏南京211171

出　　处：《南京晓庄学院学报》2014年第3期12-16,123,共5页Journal of Nanjing Xiaozhuang University

基　　金：2010年度国家社科基金重大招标项目"江南地域文化的历史演进"(10&ZD069);江苏省社会科学基金指导项目(10LSD012)的阶段性成果

摘　　要：六朝墓志书法,作为书法艺术之一种,其体态类型与当时书法艺术的总体面貌相符,然不同时期、不同地区的出土墓志书法又存在一定的差异和变化。从书迹体态来看,六朝墓志书法呈现出多样化的特点,既有规整的隶书,又有典型的楷书,然多数介于隶、楷之间,字体特征比较模糊;东晋家族墓志书体在类型上具有高度的一致性,"类化"现象明显;六朝墓志书法的多样化面貌及其特殊性,均与墓志埋设目的存在某种关联。As one kind of calligraphic art,the style of the calligraphy of Six Dynasties' epitaphs is consistent to the overall appearance of calligraphy art at that time. Nonetheless,the epitaphs unearthed in different regions and different periods show some variations and changes. From its type of handwriting,the calligraphy of Six Dynasties' epitaphs takes on a variety of art style. There are uniform official script and classic regular script,but most calligraphy of the epitaphs are between the official and regular script,the characteristic of which is very indistinct; Some families' epitaphs' calligraphy take on a highly coincidence in Eastern Jin Dynasty. The diverse styles and specificity of the calligraphy of Six Dynasties' epitaphs are related to the purpose of using epitaph to some degree.

关 键 词：六朝 墓志书法 体态类型 类化 

分 类 号：K877.45[历史地理—考古学及博物馆学]