维吾尔戏剧研究概述  

Uygur drama research overview

作　　者：李梅[1,2] 

机构地区：[1]华东师范大学中文系,上海200241 [2]新疆师范大学文学院,新疆乌鲁木齐830054

出　　处：《新疆大学学报（哲学社会科学版）》2014年第4期114-118,共5页Journal of Xinjiang University(Philosophy and Social Sciences)

基　　金：2011年度国家社会科学基金重大招标项目"<中国少数民族文学理论批评文库>编纂与研究"(11&ZD124)

摘　　要：维吾尔戏剧的研究历史,从时间上可以分成20世纪和21世纪两个时段。20世纪属于初创期,研究内容从八十年代的繁杂走向九十年代的集中。21世纪是研究的成熟期,研究的系统化和专题化是这一时期的特点。统观半个多世纪的研究,从作家作品的个案研究到戏剧文学的整体关照;从局部地区、单一剧种的历史梳理到完整戏剧史的宏观构筑;从简单感官描述到戏剧本体的审美把握,维吾尔戏剧的整体研究逐渐呈现出多元化、深入化和细致化的特征。Uygur drama as part of the Uighur culture, with its unique and distinctive image of drama, standing in the Chinese drama stage.Uygur drama of the related research is also colorful, through the accumulation of more than half a century, fruitful.This article from the system of monographs and two aspects of academic papers, in time for clues, carding uygur drama research and analysis, and the specific content of uygur drama research, characteristics and processes and existing problems put forward his own understanding, in order to provide some reference for future research.The author thought uygur drama research history, from tile time two hours can be divided into the 20th century and 21st century.Belong to the leading of the 20th century, the research content of multifarious in the eighty s to eighty s.The 21st century is the mature period of research, the systematic and specialized is the characteristic of this period.Give more than half a century of research, case studies from the writers and their works to the overall care of drama literature;From the local area, a historical carding of the operas to macro to construct complete theater;From simple sensory descriptions to drama aesthetic grasp of ontology.Uygur drama＇s overall research gradually presents the diversification, in-depth and detailed features.

关 键 词：维吾尔戏剧 专著 论文 研究 历史 

分 类 号：I236.45[文学—中国文学]