论“反英雄”形象从失败走向胜利  

An Analysis on the Image of "Anti-hero" from Failure to Victory

作　　者：余强[1] 

机构地区：[1]重庆师范大学外国语学院,重庆401331

出　　处：《成都师范学院学报》2014年第8期60-63,共4页Journal of Chengdu Normal University

摘　　要："反英雄"形象内涵丰厚,形式独特。从"反英雄"视角出发,契诃夫用幽默、嘲讽的手法给我们塑造了一个失败的"反英雄"形象,而约瑟夫·海勒却在《第22条军规》中为我们刻画了一个胜利的"反英雄"形象。二者虽都以一种荒诞怪异的方式揭露出"世界的荒谬"和"人的孤独",但其作品中主人公的命运和结局却截然不同,由此缔造了失败向胜利的转变。There are rich connotations and unique forms of ＆quot;anti - hero＆quot; images. From the perspective of ＆quot;anti -hero＆quot;,Chekhov shapes a failed image of ＆quot;anti - hero＆quot; through his techniques of humor and irony while Joseph Heller de-picts a victorious image of ＆quot;anti - hero＆quot; in his work Catch 22. Although the both two authors reveal ＆quot;the absurdity of the world＆quot; and ＆quot;the loneliness of human＆quot; through an absurd pattern,the two protagonists in their works have the absolutely different destinies and endings. Due to this,they create the convert from failure to victory.

关 键 词：反英雄 荒诞 奥甫钦尼科夫 约塞连 《第22条军规》 《一件不愉快的事》 

分 类 号：I106.4[文学—世界文学]