顾随杂剧的体制通变与情感寄托  

The System Changes and Spiritual Comfort of Gu Sui's Miscellaneous Drama

作　　者：左鹏军[1] 

机构地区：[1]华南师范大学岭南文化研究中心,广东广州510631

出　　处：《吉林师范大学学报（人文社会科学版）》2014年第4期24-31,共8页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：国家社会科学基金项目"中国近代文体观念与文体演变研究"(编号:10BZW071);教育部人文社会科学重点研究基地重大项目"中国近代戏剧研究"(编号:2009JJD760001);教育部人文社会科学研究项目"中国近代文体形态研究"(编号:09YJA751031)

摘　　要：顾随所作杂剧六种,既自觉继承元杂剧的体制规范、结构特色与风格特征,努力维护和传承杂剧的艺术传统,又着意尝试变革杂剧传统的某些方面,在新文化背景下寻求杂剧生存与延续的可能性。顾随杂剧既继承了中国戏曲叙述性与抒情性相结合的剧诗传统,又自觉借鉴和运用西方戏剧观念,寄托着理性精神和哲学智慧,从而在思想内涵和精神指向上与传统戏曲表现出显著不同。顾随一代戏曲家的传奇杂剧创作展现了中国传统戏曲的最后命运和思想艺术光辉,也寄托着对其未来出路和最终命运的沉重思考。Six kinds of miscellaneous drama created by Gu Sui,which not only consciously inherited Yuan Drama＇s institutional norms,the structure characteristics and style features,striving to maintain and pass down its artistic traditions,but deliberately try to change some aspects of traditions,has been seeking the possibility of the survival and continuity in the new cultural context.Gu Sui＇s miscellaneous dramas not only inherited the opera-poetic tradition of Chinese operas＇ combining narrative with lyrical,but also consciously learned and applied the concepts of Western dramas,which was entrusted with the rational spirit and philosophical wisdom,and thus exhibited significantly the ideological connotations and spiritual direction＇s differences from the traditional operas.Gu Sui and his generation＇s legendary operas showed the final fate and the glorious artistic brilliance of the of traditional Chinese dramas,entrusted with the rational thinking about its future prospects and ultimate fate.

关 键 词：顾随 杂剧 体制通变 情感寄托 传统戏曲 中国近现代 

分 类 号：I206.2[文学—中国文学]