论中国先锋戏剧的时间意识  

The Consciousness of Time in Chinese Pioneer Drama

作　　者：叶吉娜[1] 首作帝[1] 

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《湖南工程学院学报（社会科学版）》2014年第3期51-57,共7页Journal of Hunan Institute of Engineering(Social Science Edition)

基　　金：2013年国家级大学生创新创业训练计划项目"中国新时期文学的时间意识与艺术创新"(201310345004)

摘　　要：先锋戏剧中的时间就像魔方上每一个小方块,过去时、现在时、将来时被打破原有连贯性,随意拼配,时间混搭、虚实转换间,戏剧正如魔方,被赋予无限可能。形式新颖、时间混搭是表象,先锋戏剧通过这种方式,对传统戏剧的时间结构进行颠覆性的破坏与重建,具有未知的深度与强度,它或者帮助我们反思传统内里,或者极大地开拓全新的时间结构,涵盖了更广阔的生活场景,具有更深的艺术承载力;同时时间的灵活组合,也推动话剧紧紧抓住观众的心理态势,使观众对话剧所要表达的主题与深意有强烈的共鸣与冷静的思考。The timeline in Chinese pioneer drama is just like a small square on the magic cube,in which the consecutiveness of past tense, present tense and the future tense is re destructed and randomly mixed up. In this way, the shift of time, along with the conversion between vision and reality, endows the drama with infinite possibilities. Actually, the originality in form and mix-up of time are merely the presentation. However, based on the subversive destruction and reconstruction of time structure of the traditional drama, the pioneer drama has achieved a great profundity and powerfulness,which covers vast scenes of life,helps us re- flect the tradition,and completely creates a brand-new time structure, ty. Meanwhile,the flexible combination of time promotes the audience erate the sincere feelings and resonate with the theme and meaning th with deeper aesthetic bearing capaci to think it over imperturbably, gen at the drama intends.

关 键 词：先锋戏剧 时间意识 艺术创新 

分 类 号：I206.7[文学—中国文学]