化为蝴蝶去裙边 一嗅余香死亦甜——解析《聊斋志异》中关于足的性文化符号  

Change a Butterfly to Skirt,Smelling Fragrance Even Dead also Sweet——Resolve LiaoZhaiZhiYi in the Sex Cultural Symbols on Foot

作　　者：李云[1] 宋常立[1] 

机构地区：[1]天津师范大学文学院,天津300380

出　　处：《泰山学院学报》2014年第4期44-48,共5页Journal of Taishan University

摘　　要：《聊斋志异》的足与绣鞋反映了民族特定的文化心理,是意义丰富的性文化符号,足是女子身体最隐秘和最神圣的部位,是男女之间调情的性感地带。绣鞋暗示着性,有时候象征着女子的贞洁,是男女之间常用的定情信物。《聊斋志异》的作者蒲松龄立足于社会现实,在作品中利用这两种性文化符号推动故事情节,改变人物命运,刻画人物形象,展示人物性格。In LiaoZhaiZhiYi the foot and embroidered shoes reflecting specific national cultural psychology ,were the meaning of the rich cultural symbols. Foot were the most secretive and holiest site of women＇s body, and were sexy zone between men and women ＇s flirting. Embroidered shoes implied sex, sometimes a symbol of women＇s chastity, and was used tokens of love between men and women. Liaozhai＇s author Pu Songling based on social reality, used these two cultural symbols in the works to promote storyline, changing fate of the characters, portrayed figures, shown character.

关 键 词：足 绣鞋 性文化符号 聊斋志异 

分 类 号：I207.41[文学—中国文学]