时代悲情与美学变奏——略论历史视野下的“文革电影”  

Era Sadness and Aesthetic Variation——Brief Comments on“Cultural Revolution Film”from Historical Perspective

作　　者：许苏[1] 严英[1] 

机构地区：[1]井冈山大学人文学院,江西吉安343009

出　　处：《泰山学院学报》2014年第4期58-62,共5页Journal of Taishan University

基　　金：2011年国家广电总局人文社科研究项目(GD1188)

摘　　要："文革电影"给历史留下了充满争议的文化背影。作为特定时代语境下诠释主流意识形态的工具,"文革电影"不幸成为被"极左"政治扭曲和异化的艺术个案,在历史坐标中留下一抹悲情的色彩,它又在新中国电影美学的流变中演绎出一段耐人寻味的变奏,对其进行历史视野下的反思应能对当下电影创作提供某种积极的警醒或启示。Cultural Revolution Movie＂ has left a controversial cultural figure historically. As the tool of interpretation on mainstream ideology on the context of a special era, ＂Cultural Revolution Movie＂ has unfortunately become an art case distorted and alienated by ＂ultraleft＂ polition, leaving a touch of sadness in the historical coordinate, and it also played a piece of thought - provoking variation in the rheology of new Chinese Film Aesthetics , a reflaction from a historical perspective on which should be able to provide current filmmaking with some positive revelation and alertness.

关 键 词：文革电影 美学变奏 极左政治 

分 类 号：J972.7[艺术—电影电视艺术]