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作 者:殷海卫[1]
出 处:《渭南师范学院学报》2014年第17期20-26,共7页Journal of Weinan Normal University
基 金:教育部人文社会科学研究青年基金项目:唐宋洛阳文人群体研究(11YJC751052);河南省教育厅人文社会科学研究项目:唐代洛阳诗人群体研究(2011-JD-003);河南省教育厅人文社会科学研究项目:白居易居洛闲适诗研究(2014-gh-778);河南省哲学社会科学规划办项目:明清中原文人群体研究(2011FWX020);洛阳市社科规划项目:唐代河洛应制诗研究(2014B236);洛阳市社科规划项目:道家思想海外传播研究(2013B178)
摘 要:唐代文人的怀洛诗兼有政治、精神、情感等回归洛阳的多重创作主旨。流放文人多思君恋阙,显示出一种政治理性,情感凄怨;外任文人多倦于官场,怀居忆旧,期望回归精神的家园,情思恬淡;流寓文人多思家怀亲,情深意淳。其情思也随时序变化、空间流转、迎来送往等自然萌生;其传情方式,或通过水陆空,或借助于梦境;其表达题式多样,技法错综。怀洛诗反映了唐代政局的动荡和文人的心路历程,具有重要的社会历史价值和丰富的审美内涵。Nostalgic poems about Louyang,written by Tang Scholars,contained multiple substances which boiled down to'a return'to Luoyang in the name of politics,spirit and emotion. The exiled scholars who mostly missed the king and couldn't bear to leave the capital,often showed some political reason and melancholy sentimentality; the out-of-town scholars who mostly became tired of official circles,yearned for the former residence,and wished to return to the spiritual home,often had an indifferent appearance; the scholars who wandered from place to place,but mostly had their home and relatives in mind,often had pure and honest emotions. The nostalgic moods in those poems developed naturally in the wake of the change of time and space,the coming and the going. They delivered their emotions by means of river,land and sky,by the way of dreaming,or by the other complicated methods. The nostalgic poems about Luoyang made a revelation of the turbulent political situation and the journey of a scholar's mind,therefore those contained the important social and historical value,and the enriched aesthetic meaning.
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