“男性神话”的建构与解构——论当代六部人文幻想小说的性别叙事  

The Construction and Deconstruction of "Male Myth"——A Gender Narrative of Six Contemporary Humanistic Fictions

作　　者：王百伶 

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《湘南学院学报》2014年第4期80-85,共6页Journal of Xiangnan University

摘　　要：人文幻想小说在中国有着悠久的传统。新时期以后,柯云路、梁晓声、阎连科、格非又创作了《孤岛》(1986)、《浮城》(1991)、《受活》(2003)、《人面桃花》(2004)、《山河入梦》(2007)、《春尽江南》(2011)六部人文幻想小说。这些文本中的性别叙事有着潜在的联系,即男性角色由救世主、政治狂人、革命家向普通公务员转化,"男性神话"不断被解构;而女性角色则逆向发展,呈现由附庸品、配角到拯救者的趋向。Humanistic fictions has a long tradition in China.Later,in the new period,Ke Yunlu,Liang Xiaosheng,Yan Lianke,Ge Fei wrote six contemporary humanistic fictions as Isolated Island'(1986),'Floating City'(1991),'The Living'(2003),' like the Peach Blossom in the Face '(2004),' Mountains and Rivers in the Dream '(2007),' Jiang Nan Spring '(2011),in which the gender narratives have potential links:the male roles are transformed from saviors,political madmen,revolutionaries to ordinary civil servants.The 'male myth is continuously deconstructed.But female roles develop vice versa.They are apt to change themselves from clients or supporting roles to saviors.

关 键 词：当代人文幻想小说 男性神话 女性 建构 解构 

分 类 号：I106.4[文学—世界文学]