真宗封禅文学的“生产”与“消费”  

“Production”and “Consumption”in Literature Works on Emperor Zhenzong's Feng Shan Rituals

作　　者：杨晓霭[1] 杨晴[1] 

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《西北师大学报（社会科学版）》2014年第5期49-55,共7页Journal of Northwest Normal University(Social Sciences)

基　　金：教育部人文社会科学规划项目"宋代礼仪文学研究"(09VGA751071);国家社会科学基金项目"传统礼乐文学研究"(10XZW0005)

摘　　要：封禅是封建帝王举行的祭祀泰山的大典,所谓"封"就是天子登上泰山筑坛祭天,而"禅"则是在泰山下的小丘除地祭地,旨在表示承天受命。北宋真宗封禅,是史载大宋王朝最为隆重的一次祭祀大典,也是宋代礼乐文化建设的重大活动之一。围绕这次大典,"词臣"们大展才艺,诏、表、鼓吹、颂、制、铭、赋、序、乐章、玉册文、玉牒文,各体作品异彩纷呈,从中不难见出当时的"热烈"场景。结合马克思主义艺术生产理论,考察与分析真宗封禅的文学"生产"与"消费"现象,能更为准确丰富地揭示礼乐文学的文化意涵及其教化意义。Feng Shan is a sacrifice ceremony or ritual held by feudal emperors to worship Mount Tai , aiming to show the emperors’ readiness to accept the duty endowed by the Heaven . Emperor Zhenzong’ s Feng Shan sacrifice ceremony in the Northern Song Dynasty was the most solemn one in the history of the Song Dynasty , and also one of the important activities in the construction of Song Dynasty ’ s ritual and musical culture .Centering on this grand ceremony , the Northern Song Dynasty’ s Chancellors who were good at literary creation fully showed their talents , and thus produced flourishing literature works such as articles and poems , which can be matched with music , guidance Quzi Ci , poem , Song Ci , prose , and Ode . The scene at that time was really very “warm” . This paper takes Marxist artistic production theory as the theoretical foundation to analyze Emperor Zhenzong ’ s Feng Shan rituals as well as “production”and “consumption” in literature works , aiming to uncover the cultural implications of Feng Shan literature .

关 键 词：宋真宗 封禅 文学 

分 类 号：I206.2[文学—中国文学]