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机构地区:[1]安徽农业大学轻纺工程与艺术学院,安徽合肥230036 [2]景德镇陶瓷学院,江西景德镇333403
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2014年第5期150-152,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)
摘 要:从20世纪90年代开始,中国当代女性陶艺开始逐步登上历史舞台。中国当代女性陶艺缘起于80年代的思想解放和90年代女性自我意识的觉醒,并具有自身独有的艺术表达视角。当代女性陶艺具有强烈的女性生命体验,注重身体的向内审视;注重从女性日常生活体验出发,倾诉传统父权社会下被压抑的女性感受;注重将生命之美与自身感受结合起来,在作品中表达出丰富细腻的情感。From the beginning of 1990s, Chinese modem female ceramic art gradually boarded the stage of history. The ideological liberation in the 1980s and woman self consciousness in the 1990s gave the birth of the Chinese modern female ceramic art which has its own unique artistic expression perspective. The modem female ceramic art has a strong feminine life experience, pays attention to the inside body experience. The art usually focus on the female daily life experience for confiding the women' s repressed spirit in traditional patriarchal society. In the female ceramic works, the beauty of life and artists feelings is generally integrated to express the rich and delicate feelings.
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