爵士乐的和谐之音——论爵士乐对拉尔夫·埃利森创作的影响  

Harmonious Sound in Jazz——A Discussion about the Influence of Jazz on Ralph Ellison's Works

作　　者：陈超[1] 

机构地区：[1]福建师范大学福清分校外国语学院,福建福清350300

出　　处：《石家庄铁道大学学报（社会科学版）》2014年第3期49-52,共4页Journal of Shijiazhuang Tiedao University（Social Science Edition）

摘　　要：19世纪末,爵士乐在美国兴起,受到美国白人和黑人的欢迎。美国黑人作家拉尔夫·埃利森从中学时代就开始接触爵士乐,深受其影响。从爵士乐产生的背景入手,分析爵士乐对埃利森创作的影响,并深入探寻爵士乐所传达出的融合思想在埃利森的两部重要小说《无形人》和《六月庆典》中的体现,对研究埃利森的作品具有重要意义。At the end of the nineteenth century, jazz rose in the United States. It became popular among the white and Afro-American. African-American writer Ralph Ellison began to contact jazz when he was in the middle school and he was influenced deeply by jazz. This article analyzes the influence of jazz on Ellison＇s writing from the background of jazz and further explores the mind of fusion conveyed by jazz in Ellison＇s two important novels Invisible Man and J uneteenth, which is important in the study of Ellison＇s works.

关 键 词：拉尔夫·埃利森 黑人 爵士乐 融合 和谐 

分 类 号：I106.4[文学—世界文学]