论明代吴门画派作品中的苏州文人园林文化  

Discussion on Suzhou Scholar Garden Culture in Wu Artists' Works in Ming Dynasty

作　　者：刘毅娟[1] 刘晓明[1,2] 

机构地区：[1]北京林业大学园林学院 [2]中国风景园林学会

出　　处：《风景园林》2014年第3期93-97,共5页Landscape Architecture

基　　金：北京市科技计划课题资助项目:中国园林博物馆展陈系统和相关技术的研究应用(No.Z121100000312043)~~

摘　　要："画"与"园"的关系一直是园林史研究中的重要话题,"以画入园、因画成景"在明代中后期得到理论的确立和盛行。吴门画派画家作为明代苏州文坛上的生力军,他们不但是园林的使用、享用、绘画、描述、参与者,还是发扬文人园林文化的主导人群。通过对他们作品中的"画"与苏州文人园林的"园"内在逻辑的研究,挖掘明代文人园林的意境追求、园居理想、结构布局及格调追求,总结"画"与"园"在艺术追求与手法上的内在联系。The relationship in ‘painting’ and ‘garden’ is always an important topic in the research of landscape architecture history. The idea of ‘garden as painting, painting as landscape’ is established and prevalent in the mid to late Ming dynasty. The Wu artists, the leading power in Ming dynasty Suzhou literary, not only use, enjoy, paint, describe, and participant in gardening, but also promote the scholar garden culture. This paper studies the intrinsic logics in the ‘painting’ and the ‘garden’, in search of the artistic conception, garden ideal, layout and structure, and style pursuit of Ming dynasty scholar garden. The intrinsic relationship in ‘painting’ and ‘garden’ in artistic pursuit and expression is revealed.

关 键 词：文人园林文化 苏州园林 吴门画派 

分 类 号：J209.9[艺术—美术] TU986[建筑科学—城市规划与设计]