解读里伯斯金解构手法与场所精神的结合——以犹太博物馆为例  

The Combination of Libeskind's Deconstruction Tactics and Place Spirit —— Taking the Jewish Museum as an Example

作　　者：杨昭明[1] 张津悦 

机构地区：[1]中南大学建筑艺术院,410075

出　　处：《城市建筑》2014年第2期214-214,共1页Urbanism and Architecture

摘　　要：有人认为,设计师熟练运用解构主义的手法,通过自己的感受,提取部分符号,是对建筑进行了一次深入的灵魂表达。犹太博物馆设计者摒弃了传统的以形会意的方法,而尝试刻意模糊过去与现在的界限,不断地提示着犹太人与柏林这段互相交织不得不说的历史。Some people think, the designers skil ful y use dec-onstruction method, through their own feelings, extracting part of the symbol, is a deep soul expression of the construction. T-he Jewish Museum designer abandoned the traditional method of shape understanding, tried to deliberately blurring the line between past and present, constantly reminding this section of intertwined to say history of Jews and Berlin.

关 键 词：犹太人博物馆 线性空间 里伯斯金 

分 类 号：TU242.5[建筑科学—建筑设计及理论]