《花木兰》的文化地理解读:我者、他者眼中的英雄  

An Interpretation of Cultural Geography in Hua Mulan:The Hero in My Eyes and in Others'

作　　者：张祖群[1,2] 

机构地区：[1]中国科学院地理科学与资源研究所,北京100101 [2]首都经济贸易大学工商管理学院,北京100070

出　　处：《贵州大学学报（社会科学版）》2014年第4期49-52,共4页Journal of Guizhou University(Social Sciences)

基　　金：北京市属高等学校人才强教深化计划中青年骨干人才资助项目(PHR201108319);北京市优秀人才培养资助项目(2013D005019000005);北京市社科联青年社科人才资助项目(2012SKL027);北京市教育科学"十二五"规划青年专项课题(CGA12100);国家社会科学基金青年项目(12CJY088)

摘　　要：只有根植于本位文化的民族传统,才能思考"花木兰"文化现象的本土文化原型和时空场景,弄清楚来龙去脉和文化变迁。本文以新文化地理学为思考背景,剖析"我者"眼中的《花木兰》历史场景、地理场景、民族场景、后现代场景等。并从异文化角度出发,认为"他者"眼中的《花木兰》有另类文化解读:美国人眼中的花木兰不同于中国人眼中的花木兰,她实际上是男人眼中的女英雄。在以西方国家的优势文化为主导的全球化冲击下,我们需要保持文化全球化和本土化的融合,探索文化融合主题和共享,最后实现文化大同。Only with the national tradition rooted in the native culture, can we think about local cultural pro- scene, geographical scene, national scene, postmodern scenario and the like embodied in Hua Mulan. From a different cultural perspective, the writer holds that in others＇ eyes, Hua Mulan has different cultural sense. For example, in the eyes of Americans, Hua Mulan has a different image from that in the eyes of Chinese. She is an heroine in the eyes of men. With the arrival of globalization dominated by the western culture, we should try to put together the globalization and localization of a culture and explore what the theme will be with the cultural fusion and how we can share it together. In this way, we can come to the common ground for different cultural products.

关 键 词：《花木兰》 我者 他者 英雄 文化全球化 

分 类 号：G07[文化科学]