汪中与洪亮吉骈文之比较——从游幕的角度切入  

The Comparison of Hong Liang-ji and Wang Zhong's Rhythmical Prose Characterized by Parallelism and Ornateness

作　　者：李瑞豪[1] 

机构地区：[1]河北师范大学文学院,石家庄050024

出　　处：《唐都学刊》2014年第4期56-61,共6页Tangdu Journal

基　　金：教育部人文社会科学研究青年基金项目:"文人游幕与清代文坛"(10YJC751046)的阶段性成果;河北教育厅人文社会科学研究青年基金项目:"文人游幕与乾嘉文坛"(S2010725);河北师范大学博士基金项目(W2009B02)

摘　　要：清中期骈文复兴,汪中、洪亮吉是两位重要的作者。二人的骈文除了博学与雅致的特点之外,更主要的是浓烈的自我表现色彩。汪中骈文的特点在于"一家之言",洪亮吉骈文的特点在"英华出于性情"。二人有着相似的游幕经历,相似的人生经验,但表现在骈文中却是不一样的情感体验。汪中表达的是对知音的渴望和对人生辛酸的痛苦体验,总是把自己和描写对象交织在一起,将生命的痛苦与骈文的华美融为一体,将人生的失落与雅致的典故结为一体。洪亮吉在骈文中表达的更多的是感激与怀念,情感也很深沉很强烈,表现为骈文华美的形式与丰富的典实。Hong liang-ji and Wang zhong were two excellent writers of rhythmical prose characterized by aarallelismand ornateness in mid-Qing Dynasty. Their works were erudite and elegant, and took on strong self-expression col-or. They had the same experience of being private advisor faraway from hometown, but had different emotional feel-ings. Wang Zhong expressed his feeling with bitterness, and he was so eager to get bosom friends that his works wasalways involved with mental pain and had a splendid style. Hong Liang-ji＇s emotion was so strong and deep that hisprose put more emphasis on appreciation and cherishing the memory and became the splendid example of contentsand form.

关 键 词：游幕 自我 差异 

分 类 号：I206.49[文学—中国文学]