后经典理论烛照:审视外国文学经典的多重视窗——莎士比亚《暴风雨》的三重解读  

In the Highlight of Postclassical Theory: the Multiple Windows to Examine Foreign Literary Classics——The Threefold Interpretation of Shakespeare's Tempest

作　　者：麦永雄[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《玉林师范学院学报》2014年第4期49-53,共5页Journal of Yulin Normal University

基　　金：作者主持的国家社科基金项目:"当代西方文论范式转向及其中国化问题研究"(13BWW001);教育部规划基金项目:"当代欧美诗学:范式转型与理论话语史论"(12YJA752020)

摘　　要：在数字化时代借用新叙事学"视窗"概念,将文学理论与文学批评实践结合起来,能够开启文学研究及其意义阐发的多元之窗。借助叙事学、读者反应批评、新历史主义、后殖民主义和解构论等理论方法,可以对人们习以为常的莎士比亚《暴风雨》等外国文学经典作家作品作出新的诠释。当代西方文论丰富多彩的理论话语烛照,能够矫正当前文化研究转向后忽视文学本体的理论偏颇,践行文化语境与文学文本研究辩证互动的文化诗学,提升我们对人类精神结晶——文化与文学的价值判断与审美体悟。It would open the multiple windows for researching literature and elucidating its significance by employing the concept ＂windows＂ of new narratologies, blended literary theory and its critical practice, in the digital era. With the help of the approaches of the narratology, reader response criticism, new historicism, post colonialism and deconstruction theory, one can make new annotation to the accustomed foreign writers and literary classics such as Shakespeare＇s Tempest. In the highlight of the rich and varied theoretical discourse of contemporary Western literary theory, there are the possibilities to correct the biases which overlooked literary ontology after the turn of current cultural study, to practice the cultural poetics which deals with dialectical interaction between cultural context and literary text, and to enhance one＇s understanding the fruits of human spirit--the values of culture and literature, as well as the aesthetic experience.

关 键 词：叙事学视窗 理论话语 文本研究 

分 类 号：I109.31[文学—世界文学]