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作 者:周唯[1]
出 处:《安庆师范学院学报(社会科学版)》2014年第4期108-112,共5页Journal of Anqing Teachers College(Social Science Edition)
基 金:教育部人文社会科学重点研究基地重大项目"近代词史"(06jjd75011-44014)
摘 要:经历了易代之悲与人生变故并流寓吴地的郑文焯,其词在内容主题上呈现出多方位的走向,且在表面清空飘逸风貌下,却蕴藏忧伤情怀,延续着以悲为美的词学传统,又有着没落贵族在清末民初易代之际的时代感受。这种忧戚由对自然风光、社会生活至内心活动等表现对象的不同,由淡而浓,渐趋深入。由此既可看出郑文焯词的独特风格,也能为探讨其词与同时代词家词风异同提供参照。ZHENG Wen-zhuo, a poet in the late Qing dynasty, chose to live in Suzhou in his late years after experiencing the distressing ehanges of dynasties and his own life. His Ci with diversified themes held a reserved sad mood though superficially they were free and flowing. His Ci on the one hand adopted the tradition of "beauty in sorrow" and on the other hand conveyed the melancholy mood of the declining aristocrats at the transitional period of dynasties. This sad mood went gradually from light to deep with the changes of themes from natural scenery to social life and then to people' s inner activity, representing ZHENG Wen-zhuo' s special style which is helpful for the later research on eomparing ZHENG Wen-zhuo' s Ci with his contemporaries'.
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