黄梅戏存续路径的两点反思  

Two Reflections on the Survival Way of Huangmei Opera

作　　者：方寅[1] 周春丽[2] 

机构地区：[1]南京师范大学国际文化教育学院,南京210097 [2]安庆医药高等专科学校组织人事处,安徽安庆246133

出　　处：《湖北第二师范学院学报》2014年第7期64-66,共3页Journal of Hubei University of Education

基　　金：安徽省教育厅人文社会科学研究项目(SK2012B283)

摘　　要：黄梅戏的语言改革与坚守是其存续路径选择中的核心问题,它需要动态发展观及社会语言学视角下的思考。动态发展观表明:黄梅戏既产生于语言、生活、文化的发展变化又需要存续于语言、生活、文化的发展变化,黄梅戏存续路径选择上坚守与创新的两手也因此都不宜松弛。社会语言学视角下的审思则表明:黄梅戏社群可以视为地方戏言语社区,在存续路径选择问题上既不能一味坚持方言表演而失去社区内外人口,也不能一味追求改革而失去社区的内部一致性和黄梅戏自身的个性。改革创新和坚守黄梅戏特色两者兼顾才是黄梅戏存续的理性路径。The prominent problem of the survival way of Huangmei Opera is the conflict between the reform and insistence of the dialect. It is necessary to be considered from the viewpoint of dynamic development and sociolinguistics. The viewpoint of dynamic development suggests that both the reform and insistence of the dialect are important because Huangmei Opera came from and need to survive under the development of language, society and culture. Meanwhile, the viewpoint of social linguistics suggests ： With the five essentials - the region, population, facilities, interaction, and identification, each drama community can be identified as a speech community. The co-existence of the internal consistence and the external opening up tells us that simply insisting performing in a dialect or Mandarin is wrong. So the ideal survival way of Huangmei Opera is to balance the reform and insistence of the dialect.

关 键 词：黄梅戏 言语社区 内部一致性 对外开放性 

分 类 号：J80[艺术—戏剧戏曲]