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作 者:王增学[1]
出 处:《山东理工大学学报(社会科学版)》2014年第5期46-50,共5页Journal of Shandong University of Technology(Social Sciences Edition)
基 金:江苏省2012年度社会科学基金课题"江苏明遗民著述书目与生平文献整理研究"(12ZWB005)的阶段性研究成果
摘 要:中唐诗人兼画家刘商与王维的家世、身份、经历近似,且审美观念趋同,因而刘商在诗歌艺术上能主动学习王维,二人诗歌的意象、意境、句式与韵律有不少近似之处,均具诗有画境的特点;二人都善于用画家之锐眼"取象",在诗中以散点透视法"经营位置",将线条与色彩巧妙搭配,使诗作富有画面感。刘商继承王维的诗歌艺术,并有新的探索,他是王维诗歌接受史上一位重要的诗人。Liu Shang, a poet and artist in the Mid-Tang Dynasty, has similar family background, social status and life experiences to Wang Wei' s, and their aesthetic concepts are convergent. Therefore, Liu Shang has the initiative to learn from Wang Wei in poetry. There exist many a similarity in the artistic images, conceptions, sentence structures and rhymes in their poems, which best resemble such features as painting-in-poetry. They both capture images from acute perspectives and lay them out in the poems from shifting perspectives skillfully. Liu Shang does not only inherit from Wang Wei' s verse style, but also makes new explorations in poetry composition. He is, therefore, an important poet in the history of the reception of Wang Wei' s poetry.
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