中国武术美学的现象学审视  

Chinese Martial Arts Aesthetic Phenomenon

作　　者：张磊[1] 王欣[1] 李平[2] 

机构地区：[1]盐城工学院体育教学部,江苏盐城224051 [2]徐州工程学院体育学院,江苏徐州221008

出　　处：《沈阳体育学院学报》2014年第4期127-132,共6页Journal of Shenyang Sport University

摘　　要：中国武术在攻防意识相对较弱的当代思维下,已渐渐将攻防转换的意识演变为一种哲学美学思维。武术作为对中国古代思想的一种最好的身体表达形式,所重视的是阴阳、刚柔、起落、化转等特点;中国武术美学内在要素是"直观、体验",外在要素是"反应、回馈",是一种先验的存在。正是基于这种思考,从现象学的视角审视了中国武术美学的哲学内涵,从中国武术技能表现的"本质范畴"加以阐述和解构,分析其所追求的"天人合一"与"身心合一"的思想,提供一条从现象学诠释中国武术美学的线索,也为学者研究中国武术美学现象学提供哲学化的思辨过程。Awareness of Chinese martial arts defense conversion has gradually evolved into a philosophy of aesthetic think- ing under the consciousness that attack and defense are relatively weak contemporary thinking. Martial arts are a kind of the best form of physical expression in ancient Chinese thought, of which the most important feature is Yin and Yang, rigid, landing and turn. Chinese martial arts esthetic＇ s intrinsic factors are ＂intuition, experience＂, and the external factors are ＂response, feedback＂ which is a transcendental existence. Based on this consideration, this article inspects the Chinese mar- tial arts philosophy connotation from the view of phenomenology, elaborates the ＂essential category＂ problems from Chi- nese martial arts skill performance, and the deconstruction of thinking, analyzing their pursuit of ＂harmony between man and nature＂ and ＂unity of body and mind＂, which provided a clue to annotate Chinese martial arts and provide a thinking process for scholars to research Chinese martial arts aesthetic phenomenon.

关 键 词：中国武术 美学 现象学 本质直观 意向性 

分 类 号：G852[文化科学—民族体育]