富有灵性的多声部写作技巧——以永儒布《交响乐作品六首》为例  

Spiritual polyphonic writing skills——Taken Yong rubu Symphony six works as an example

作　　者：高婀娜[1] 

机构地区：[1]内蒙古大学艺术学院,内蒙古呼和浩特010010

出　　处：《内蒙古大学艺术学院学报》2014年第3期112-121,共10页Journal of Art College of Inner Mongolia University

摘　　要：永儒布,是内蒙古自治区具有代表性的作曲家,指挥家。其作品体裁多样,题材丰富,多以蒙古族风格音乐作品创作为主。在交响乐创作上,永儒布是一位专注于蒙古族风格交响乐创作且成就卓越的代表人之一。他富有灵性的多声部写作技巧在他的作品中体现出独特的民族交响乐的独特魅力。Yong rubu, who is one of the representative composers and conductors in the Inner Mongolia autonomous region. Full of diversities and rich in subjected matters, his works genre is mostly based on the Mongolia style of music creation. In symphony creation, Yong Rubu, as one of the outstanding and remarkable representatives, is focus on the Mongolia nationality style symphony. His spiritual polyphonic writing skills reflect the unique charm of the national symphony orchestra in his works.

关 键 词：永儒布 《交响乐作品六首》 多声部写作 

分 类 号：J605[艺术—音乐]