论作为“非物质”的影像符号  

On the Image Symbols as a Kind of Immaterial Products

作　　者：赖新芳[1] 林咏[2] 

机构地区：[1]长江大学文学院,湖北荆州434023 [2]重庆邮电大学传媒艺术学院,重庆400065

出　　处：《江西师范大学学报（哲学社会科学版）》2014年第4期78-82,共5页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：重庆市哲学社会科学规划项目"当代电影复杂叙述研究"(编号:2013SKZ310);重庆邮电大学博士启动基金项目"华语谜题电影研究"(编号:K2013-01)

摘　　要：从伊壁鸠鲁学派的物化影像论开始,对影像的认识就带有机械唯物论的色彩。心理学影像论具有心理活动从复杂性回到机械论的偏颇;现象学认为影像是一种有意向的综合的深层结构。以萨特对影像的思考为起点,分析影像作为符号研究对象的内涵,指出影像感知与影像媒介都应该被作为考察的对象,只有将影像概念从外在的物质世界联结到内在的心灵世界,才有可能描绘出当下影像社会的整体而完整的面貌。Beginning with the theory of materialized images of the Epicurean school,the cognition of images is characterized by mechanical materialism. The theory of images of psychology goes astray from complicacy to Mechanism. Phenomenology considers the image is a comprehensive and deep structure. Starting with Sartre’s reflections on images,the paper analyzes the connotation of image as the object of study of symbol,points out that the image perception and image media should be used as the object of study. Only when the image concept from the external physical world connects to the spiritual world,will it be possible to depict the present image of society as a whole and complete ap-pearance.

关 键 词：非物质 影像 符号 

分 类 号：J901[艺术—电影电视艺术]