中国古典舞的审美意蕴  

On Aesthetic Purport of Chinese Classical Dance

作　　者：邵未秋[1] 

机构地区：[1]北京舞蹈学院舞蹈考级教育学院,北京100081

出　　处：《文化艺术研究》2014年第3期85-96,共12页Studies in Culture and Art

摘　　要：本文针对原中国古典舞训练过于重形的倾向,提出古典舞审美意蕴应突出神的地位,抓住以神领形、以形传神的规律,并以气加以统一和贯通,最后达到形神兼备的佳境。形与神是互动、互助、互相转化的关系,经过气的中介而达到天人合一、物我为一的至道。In the past, we overly focused on the appearance in Chinese classical dance study, but from the point of aesthetic purport we should emphasize on the spirit of Chinese classical dance. As an aesthetic law, the spirit leads the appearance while the latter reflects the former within Qi, with which the spirit and appearance get united and reach the most enjoyable and pleasant stages. The two are interactive with mutual assistance and transformation in Qi, through which the body and mind connect and get to a supreme state.

关 键 词：形 神 气 形神兼备 

分 类 号：J722.4[艺术—舞蹈]